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Crafting Motion and Emotion in Art
Bridging Worlds Through Design and Innovation
Design grounded in spirit, shaped by experience.
01
ROOTS IN BEIJING
I was born in Beijing, and one of the characters in my name—Jing 京 —is the same as the Jing in Beijing. This city didn’t just raise me—it’s woven into my identity. Beijing shaped how I think, how I move through space, and how I see the world. It’s a city where sleek modern architecture rises beside ancient hutongs, where culture and history collide to create something alive and ever-evolving. No matter where I go, the rhythm, spirit, and groundedness of Beijing live deep inside me—they’ll always be part of who I am and how I design.
03
FROM MOVEMENT TO MAKING
During COVID, I was studying abroad in Paris and found myself locked down with my host family. Live performance—my creative outlet—suddenly became impossible. In that stillness, I turned to the digital world. I started experimenting with online performances and became curious about designing digital spaces. Unlike theater, which disappears the moment the lights go off, digital experiences linger, scale, and shape people’s lives in quiet, ongoing ways. That realization drew me deeper into design, where the boundaries between reality and virtuality began to blur.
05
EMBRACING CRAFT AS CARE
At Parsons, I discovered that design is more than a solution—it’s a practice of care. I immersed myself in making and prototyping, learning to navigate complexity while refining every detail with intention. Inspired by the poetics of craftsmanship, I began seeing design as a slow, thoughtful process—a dialogue between hands, mind, and material. Through this, I found joy in making systems simpler, more beautiful, and more human.
